The two parts of this scar on an Aspen tree trunk reminded me of a painting I had made in 1979:
I changed the colour image to greyscale, then generated several bitmaps at different thresholds to posterize the image:
First I printed a gradient background:
I wanted to transform the image into something that might echo the legacy of mining in northern BC, so I used metallic inks, as well as intensely pigmented colours. As with the Babarrunak Raku print I had made previously, I built up surface texture with repeated passes of clear ink. Here is the final image:
“Ore” has been accepted into the 8th Tokyo International Screen Print Biennial exhibition. Award-winning prints are posted here.